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★★★★★
David Tennant is tremendous and superbly partnered by Cush Jumbo. The rich aural concept emphasises the eerie brilliance of Shakespeare’s dark, image-laden text.
Financial Times
★★★★★
An act of risk-taking theatre that also feels darkly, magically, like real-life.  It’s as if the play is being discovered for the first time. Cush Jumbo is terrific throughout, at once thoughtful and heartless.
Daily Telegraph
From Tokyo to London: A wildly creative courtroom spin on Dostoevsky’s The Brothers Karamazov
David Tennant and Cush Jumbo return to their landmark performances in Shakespeare’s most extraordinary psychological drama.

Unsettling intimacy and brutal action combine at breakneck speed as Max Webster directs the tale of love, murder, and nature’s power of renewal.  Groundbreaking sound design and live Celtic folk music (all played through lightweight headphones provided) immerse the audience in every whisper, cry and thought.

Featuring the original company of the sold out Donmar Warehouse season, this unforgettable staging will now play a strictly limited run at London’s Harold Pinter Theatre from 1 October 2024.

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This production of Macbeth uses binaural stereo to create a 3D soundscape. Wearing headphones is a critical aspect of the show, and some of the dialogue will not be audible without them.

A pair of wired on-ear headphones is installed on each audience member’s seat and in wheelchair spaces. These headphones are very lightweight with foam ear-pads for comfort. The headphones do not have a volume control and all headphones are at the same volume. Our sound engineers ensure that the volume remains at a balanced and safe volume. If you have a sensitivity to loud volumes we can provide a system that can be turned down manually. The ear pads are regularly changed and cleaned.

Stereo sound and on-ear headphones may not suit everyone’s hearing needs. A sound check plays in the auditorium before the show starts allowing you to test out what works for you. We have a range of alternative options to help everyone get the best experience of the show, and we have a team in the auditorium to help find the best solution for you from the list below.

There is no need to pre-book alternative listening options, but if you have any concerns or specific requirements other than those available below, please let the box office know in advance. We advise you to take your seats at least 15-20 minutes before the start of the performance to ensure we have time to make sure everything is working correctly.

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★★★★★
David Tennant thrills in a production full of wolfish imagination and alarming surprise.  Cool, cocky and utterly arresting
Guardian
★★★★
Excitingly fuses tremendous acting from David Tennant and Cush Jumbo with cutting-edge sound.
Observer
★★★★
A compellingly ritualistic production. David Tennant is simply hypnotic – his blood-spattered usurper more than lives up to expectations.
The Times
★★★★
Thrilling set piece after thrilling set piece, the production blasts out in under two hours.
Time Out
★★★★
Never for a moment can you tear your attention away.
WhatsOnStage
★★★★
Excitingly fuses tremendous acting from David Tennant and Cush Jumbo with cutting-edge sound.
Observer
★★★★
Throws convention out of the window, and it’s all the better for it.  David Tennant and Cush Jumbo are both electrifying.
Gay Times
I emerged after two hours utterly exhilarated: it was the finest, most magnetic Macbeth I’d ever seen, and the headphones proved thrillingly integral to so internal a play.
David Benedict, The Stage