Max Webster is a Tony & Olivier Award nominated director specialising in new work, opera, and live music events.
Theatre credits include: Minority Report (Simon Friend Entertainment/UK Tour); Macbeth and Henry V (Donmar Warehouse); Life of Pi (West End, Boston ART, Broadway & UK Tour); La Bohème (Göteborgsoperan, Sweden); The Merry Widow (English National Opera); Antigone, As You Like It and Twelfth Night (Regent’s Park Open Air Theatre); Dr. Seuss’ The Lorax (Old Vic/San Diego Old Globe/Minneapolis Children’s Theatre); The Jungle Book (Fiery Angel); Fanny and Alexander, Cover My Tracks (Old Vic); The Twits (Curve Theatre Leicester); The Winter’s Tale (The Royal Lyceum Theatre Edinburgh); The Sea of Fertility, Mary Stuart (Parco Productions Tokyo); Much Ado About Nothing (Shakespeare’s Globe); Shostakovich’s Hamlet (City of London Sinfonia); Orlando, To Kill a Mockingbird, My Young and Foolish Heart (Royal Exchange Manchester); James and the Giant Peach, My Generation (Leeds Playhouse); Carnival Under the Rainbow and Feast Kakulu (Hilton Festival, South Africa) & Caucasian Chalk Circle (Aarohan Theatre, Kathmandu).
Upcoming work includes: The Real Thing (Old Vic); The Importance of Being Earnest (National Theatre).
Rosanna Vize is a critically acclaimed award-winning international Designer, working across multiple platforms of design in Opera, Theatre, Television & Film.
Theatre credits include: Winter’s Tale (Dailes Theater, Latvia); Visit from an Unknown Woman (Hampstead Theatre); Macbeth (Donmar Warehouse); Ghosts (Shakespeare's Globe); Shooting Hedda Gabler (Rose Theatre Kingston); Vanya (Co-creator & Designer, West End, Producer Wessex Grove); Julius Caesar (Royal Shakespeare Company); Britannicus (Lyric Hammersmith); Glass Menagerie (Royal Exchange Manchester, and UK Tour); Gulliver’s Travels (Unicorn Theatre), Camp Siegfried (The Old Vic); Cat On A Hot Tin Roof (Leicester Curve Theatre); The Two Character Play (Hampstead Theatre, Upstairs); Cat on a Hot Tin Roof (Curve Theatre and UK Tour); The Enemy (Royal National Theatre of Scotland); Harm (Bush Theatre); The Comeback (Sonia Friedman Productions, Noel Coward theatre – West End), Incantata (Galway Festival and Irish Rep Theatre, NYC); Hedda Gabler (Sherman Theatre); The Phlebotomist (Hampstead Theatre, Upstairs); The Audience (Nuffield Theatre, Southampton); Don Carlos (Exeter Northcott); The Almighty Sometimes (Royal Exchange Theatre); King Lear (Globe Theatre); Earthworks and Myth (RSC).
Opera credits Include: Turn of the Screw (Royal Danish Opera, Copenhagen), Mavra and Pierrot Lunaire (Royal Opera House, Covent Garden).
Film and television credits include: Harm (BBC broadcast) and ‘Wake Me Up’ (Foals music video – MTV Music Video Award for Best Video).
Bruno Poet works extensively in opera, theatre, dance, and live music. He won three Knight of Illumination Awards, for Sigur Ros, Björk, and Frankenstein at the National Theatre, for which he also won the Olivier Award for Best Lighting Design.
Recent credits include: Macbeth (Donmar Warehouse); The Witches; Frankenstein; London Road; Timon of Athens; Stories, Light Shining in Buckinghamshire; EGBDF (National Theatre); Gucci Cosmos (180 Strand); Miss Saigon (West End/Broadway); TINA – The Tina Turner Musical (West End/Broadway); The Hours (Met Opera); Alicia Keys (US tour); Pet Shop Boys Dreamworld (Tour); Sigur Rós (all tours since 2012); Bad Cinderella (Broadway); Amadeus (Danish Opera); Salome (Houston Opera); Don Giovanni; Otello; Mahagonny (Royal Opera House); UAE 49th, 50th, 51st, and 52nd National Day; Akhnaten (ENO/Met Opera); Gary Barlow: A Different Stage (West End/Tour); Uncle Vanya (West End); Billie Eilish (Steve Jobs Theatre); Oklahoma! (Grange Park Opera); Julius Caesar; A Midsummer Night’s Dream (Bridge Theatre); Carmen (Bregnez) and Alcina (Glyndebourne).
Gareth Fry trained at the Central School of Speech and Drama in Theatre Design and is the author of Sound Design for the Stage.
Theatre credits include: Paranormal Activity (Leeds Playhouse); Viola’s Room (Punchdrunk); Player Kings (West End); Til The Stars Come Down (NT); Macbeth (Donmar Warehouse); Free Your Mind (Aviva Studios); Romeo and Juliet (Almeida); Medea (Soho Place), Diva (V&A); Jungle Book Reimagined (Akram Khan); On The Ropes (Park Theatre); A Christmas Carol, John Gabriel Borkman, Bach & Sons, Alan Bennett’s Talking Heads, Beat The Devil (Bridge Theatre); Caucasian Chalk Circle (Rose Theatre); To The Streets (Birmingham 2022); Psychodrama (Traverse); Bedknobs & Broomsticks (UK tour); Harry Potter And The Cursed Child (London, New York, Melbourne, San Francisco, Hamburg, Toronto, Tokyo, Chicago).
Other work includes: The Encounter, The Master & Margarita, Shun-kin, Endgame (Complicité); Let The Right One In, Black Watch (National Theatre of Scotland); The Barber Shop Chronicles, Othello, The Cat in the Hat, A Matter Of Life and Death, Attempts on Her Life, Waves (National Theatre, England); Soundscape Design, Opening Ceremony of the 2012 Olympic Games.
Awards include: 2017 Special Tony Award and Evening Standard Award for Sound Design of The Encounter; Drama Desk Award and a Helpmann Award; 2017 Olivier Award, 2018 Tony Award, Drama Desk Award and an Outer Circle Critics Award for Best Sound Design for Harry Potter and the Cursed Child; 2007 Olivier Award and a Helpmann Award for Black Watch and 2006 Olivier Award for Waves.
Shelley Maxwell won the award for Best Choreographer at the inaugural Black British Theatre Awards in 2019 for her work on Equus.
Theatre credits include: Alma Mater (Almeida Theatre); Love’s Labour’s Lost (RSC); Starter For Ten (Bristol Old Vic); Shifters (Bush Theatre); Macbeth (Donmar Warehouse); The Time Traveller’s Wife (Apollo); Mlima’s Tale (Kiln Theatre); Untitled F*ck M*ss S**gon Play (Royal Exchange Manchester/Young Vic); August in England (Bush Theatre); The Secret Life of Bees (Almeida); Best of Enemies (Noël Coward); Tartuffe (RSC/Birmingham Repertory Theatre); The Time Traveller’s Wife: The Musical (Storyhouse); Get Up, Stand Up! The Bob Marley Story (Lyric); Best of Enemies; Winter, Why It’s Kicking off Everywhere (Young Vic); J’Ouvert (Theatre 503/Harold Pinter); After Life; Master Harold…and the Boys; Hansard; Antony and Cleopatra; Twelfth Night (National Theatre); Nine Night (National Theatre/Trafalgar Studios); Equus (Theatre Royal Stratford East/ Trafalgar Studios); Macbeth (Globe); Faustus (Headlong at Lyric/Birmingham Repertory Theatre); Cinderella (Lyric Hammersmith); Grey (Oval House); King Hedley II (Theatre Royal Stratford East); Cougar; Dealing with Clair (Orange Tree); Cuttin’ It (Young Vic/Royal Court); A Streetcar Named Desire (Nuffield/Theatr Clwyd Cymru/English Touring Theatre); Rules for Living (Royal & Derngate/ Rose Theatre Kingston/English Touring Theatre); Apologia (English Theatre Frankfurt). Film and television credits include: The Marvels; Joan; Anansi Boys; Ear for Eye and Romeo & Juliet.
Theatre credits include: Macbeth (Donmar Warehouse); Macbeth (RSC); The Cheviot, The Stag and the Black, Black Oil (National Theatre of Scotland/Dundee Rep); A Six-inch Layer of Topsoil and the Fact it Rains (Perth Rep/Horsecross Arts); Twelfth Night (Bristol Old Vic/Royal Lyceum Edinburgh); Cockpit; The Winter’s Tale (Royal Lyceum Edinburgh); The Strange Undoing of Prudencia Hart (National Theatre of Scotland/McKittrick Hotel, NY); The James Plays (National Theatre of Scotland/National Theatre/EIFF); Gastronauts (Royal Court); Interiors and Subway (Vanishing Point).
Musicals include: Once in Concert (The London Palladium) and Hi-Viz (Forest Row Village Hall).
Film credits include: Wild Rose.
Anna Cooper CDG has been the Casting Director at the Donmar Warehouse since 2018, where productions have included: The Cherry Orchard, Macbeth, Clyde’s, Skeleton Crew, The Human Body, Next to Normal (WOS award nomination for Best Casting Direction), When Winston Went to War with the Wireless, Private Lives, Watch on the Rhine, The Band’s Visit (CDG Award nomination – Best Casting in Musical Theatre), The Trials, Trouble in Butetown, Constellations (Olivier Award: Best Revival, CDG Award: Best Theatre Casting), A Doll’s House, Part 2, Henry V, Marys Seacole, Force Majeure, Europe, [BLANK], Teenage Dick, Far Away, Love & Other Acts of Violence.
Previous theatre credits include: I And You, Dry Powder, Gloria (Hampstead Theatre), Steel, Love & Information (Sheffield Theatres), Leave Taking, HIR (Bush Theatre), Circle, Mirror, Transformation, The Maids (HOME), They Drink It In the Congo (Almeida), Multitudes, (Tricycle), A Number (Nuffield/Young Vic) and Tonight at 8.30 (Nuffield).
As Casting Associate, theatre credits include: Allelujah!, Nightfall, Julius Caesar, Young Marx (The Bridge Theatre).
Film and television credits include: Dunkirk; Mission Impossible 6; The Dark Knight Rises; Belle; Manhunt; Capital; Silk; Doc Martin; Ashes to Ashes; Arthur & George; Best of Men and Atlantis.
RC-ANNIE Ltd, established in 2005 by Rachel Bown-Williams and Ruth Cooper-Brown, is the UK’s leading Dramatic Violence and Intimacy Company.
Theatre credits include: Twelfth Night (Regent’s Park Theatre); Minority Report (Nottingham Playhouse); Macbeth (Donmar Warehouse); A Midsummer Night’s Dream; The Empress; Julius Caesar; Richard III; Henry VI: Rebellion; The Wars of the Roses; King John; Measure for Measure; The Taming of the Shrew; Tartuffe; The Duchess of Malfi (RSC); The Boys from the Blackstuff (Liverpool Royal Court); Great Expectations (Royal Exchange Manchester); The Pillowman (Duke of York's); It’s Headed Straight Towards Us (Park Theatre);A Midsummer Nights Dream; The Tempest; Hakawatis; Midsummer Mechanicals; I, Joan; Henry VIII; Romeo and Juliet; Macbeth; Emilia; Othello; Boudica; Lions and Tigers; Much Ado About Nothing; Twelfth Night (Globe); Linck & Mülhahn; Night Mother (Hampstead Theatre); Noises Off (Theatre Royal Bath/West End); Oklahoma! (Young Vic/West End); Newsies (Wesley Troubadour); Baghdaddy (Royal Court Theatre); James IV (Raw Material/Edinburgh Festival Theatre); Never Have I Ever; Crazy for You; The Taxidermist’s Daughter; Plenty (Chichester Festival Theatre); [BLANK] (Donmar Warehouse); As You Like It (CBBC/Globe); The Scandal at Mayerling (Scottish Ballet); Theodora (Royal Opera House); The Father and the Assassin (original production); The Welkin; Three Sisters; Anna; When We Have Sufficiently Tortured Each Other; Peter Pan; The Threepenny Opera; The James Plays (co-production with National Theatre of Scotland/Edinburgh International Festival); Cleansed (National Theatre); Persuasion (Rose Theatre Kingston) and To Kill A Mockingbird (West End).
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